Jeffrey Mandelbaum (Radamisto) ~ countertenor & Artistic Director; Kristin Renee Young (Zenobia) ~ soprano; Teresa Castillo (Polissena) ~ soprano; Amelia Sie ~ violin; Serafim Smigelskiy ~ violoncello; Rebecca Pechefsky ~ harpsichord; Rod Gomez ~ stage director
Excerpts from Radamisto (1720), HWV 12 G.F. Handel (1685‒1759)
Overture
Sommi Dei (Polissena)
Qual nave smarrita (Radamisto)
Empio, perverso cor! (Zenobia)
Tu vuoi ch’io parta (Polissena)
Deggio dunque, oh Dio, lasciarti (Zenobia)
Ombra cara (Radamisto)
Troppo sofferse (Zenobia)
Dolce bene di quest’alma (Radamisto)
Quanda mai pietata sorte (Polissena)
Se teco vive il cor (Radamisto & Zenobia)
Six performers, a redacted plot, three characters without much to hang their characterization on – it was still slightly successful.
Translations for the arias, and one duet, were provided, but they simply pointed us in the direction of lament, lament, quicker tempo, after the opening overture by the violin, cello and harpsichord which was rather brisk and crisp, and then back to lament.
This was essentially a love triangle with one gal (Polissena) really knowing that she was on the outs. But Zenobia didn't really believe that she was the one for Radamisto. (Did I mention that this was an opera?)
By the end, Radamisto and Zenobia were together and happy. And Polissena was happy for Radamisto and Zenobia, even after all of that lamenting. (Did I mention that this was an opera?)
Since this was a baroque opera, there was tuning of the cello and violin twice between two of the arias. One of the arias had just cello and harpsichord accompaniment. It was noteworthy because the violin was not included. Just an oddity I noticed.
Even with all of that going on, I enjoyed myself. The minimal staging was effective and the performers were great.
All in all, a great freebie concert (and yes, I made a small donation on the way out).
ConcertMeister