The gist of the story is that Faust makes a deal with Méphistophélès to reclaim his youth. While in the underworld, he sees and seduces Marguerite, with assistance from jewels supplied by the Devil. When Marguerite’s brother, Valentin, returns from battle and sees Marguerite “with child,” he and Faust duel—but of course the Devil engages trickery and Valentin is killed. Marguerite is driven insane and kills her child; Faust sees her collapse and die; and Faust is returned to his life on Earth.
All of this to some really gorgeous music. Highlights include Salut! Demeure chaste et pure (Faust, tenor); Le veau d’or (Méphistophélès, bass-baritone); Avant de quitter ses lieux (Valentin, baritone); Faites-lui mes aveux ... (Siébel, mezzo-soprano, in a “pants” role—she plays a young man also smitten with Marguerite); Ah! Je ris de me voir si belle, also known as the Jewel song (Marguerite, soprano); and the achingly beautiful and stirring final trio (Marguerite, Faust, and Méphistophélès).
The directorial concept was updated to early-20th century, which did not bother me in the slightest. The direction was pretty good, though I’m not keen on ensemble members carrying their set pieces (chairs, benches, etc.) on with them. It’s a little too “musical theater” to my taste. And yes, I do know that opera is musical theater. The chorus did a fine job as did most of the soloists. Mr. Relyea did not have quite the presence in the house that the other principals did.
Faust was a long, but thoroughly enjoyable, evening at the opera. And the price ($27.50) was just right.
ConcertMeister
p.s. In my learning-to-sing-falsetto days, I actually attacked the Jewel song and Siébel’s aria, so hearing this music brought back wonderful memories. Especially considering who my accompanist/coach was.
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